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	<title>Richard Dooling &#187; Publishing</title>
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	<description>Novelist, Screenwriter, Fugitive Lawyer, Code Monkey . . .</description>
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		<title>New Yorker: Show Or Tell</title>
		<link>http://www.richarddooling.com/index.php/2009/06/12/new-yorker-show-or-tell/</link>
		<comments>http://www.richarddooling.com/index.php/2009/06/12/new-yorker-show-or-tell/#comments</comments>
		<pubDate>Fri, 12 Jun 2009 14:40:18 +0000</pubDate>
		<dc:creator>Richard Dooling</dc:creator>
				<category><![CDATA[Publishing]]></category>
		<category><![CDATA[Writing]]></category>

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		<description><![CDATA[Should Creative Writing Be Taught? From The New Yorker, June 8, 2009, by Louis Mendand The workshop is a process, an unscripted performance space, a regime for forcing people to do two things that are fundamentally contrary to human nature: actually write stuff (as opposed to planning to write stuff very, very soon), and then [...]]]></description>
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		<title>Why Does It Take So Long?</title>
		<link>http://www.richarddooling.com/index.php/2008/02/02/why-does-it-still-take-so-long-to-publish-a-book/</link>
		<comments>http://www.richarddooling.com/index.php/2008/02/02/why-does-it-still-take-so-long-to-publish-a-book/#comments</comments>
		<pubDate>Sat, 02 Feb 2008 17:13:50 +0000</pubDate>
		<dc:creator>Richard Dooling</dc:creator>
				<category><![CDATA[Publishing]]></category>

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		<description><![CDATA[The hoary old adage is that publishing a book is like giving birth: It takes nine months. Nowadays, we have electronic typesetting, high-speed presses, print-on-demand, and oceans of text gushing through fiberoptic pipes onto computer screens all over the planet. So why does it still take so long to publish a dead-tree edition? Writing in [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Rejection, Thy Constant Companion</title>
		<link>http://www.richarddooling.com/index.php/2008/01/20/let-rejection-be-your-constant-companion/</link>
		<comments>http://www.richarddooling.com/index.php/2008/01/20/let-rejection-be-your-constant-companion/#comments</comments>
		<pubDate>Sun, 20 Jan 2008 14:22:50 +0000</pubDate>
		<dc:creator>Richard Dooling</dc:creator>
				<category><![CDATA[Publishing]]></category>
		<category><![CDATA[Writing]]></category>

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		<description><![CDATA[Success is the ability to go from one failure to another with no loss of enthusiasm. &#8211;Winston Churchill Most writers worry about rejection, not acceptance. Ray Bradbury says that the successful writer has to deal with both: &#8220;You have to know how to accept rejection and reject acceptance.&#8221; Several articles on this site (usually in [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Good Books On Publishing</title>
		<link>http://www.richarddooling.com/index.php/2007/02/08/good-books-on-publishing/</link>
		<comments>http://www.richarddooling.com/index.php/2007/02/08/good-books-on-publishing/#comments</comments>
		<pubDate>Thu, 08 Feb 2007 14:08:15 +0000</pubDate>
		<dc:creator>Richard Dooling</dc:creator>
				<category><![CDATA[Publishing]]></category>

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		<description><![CDATA[On Writing Aspiring writers often seek advice about how to find a publisher or a literary agent. Unfortunately, most authors don&#8217;t know much about the book business, unless they happen to live and work in the New York publishing world. For the rest of us, who live in Omaha or Dubuque and don&#8217;t know many [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>How To Query A Literary Agent</title>
		<link>http://www.richarddooling.com/index.php/2007/02/07/how-to-query-a-literary-agent/</link>
		<comments>http://www.richarddooling.com/index.php/2007/02/07/how-to-query-a-literary-agent/#comments</comments>
		<pubDate>Wed, 07 Feb 2007 13:13:17 +0000</pubDate>
		<dc:creator>Richard Dooling</dc:creator>
				<category><![CDATA[Publishing]]></category>

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		<description><![CDATA[Ye Olde Query Letter I loathe writing. On the other hand I&#8217;m a great believer in money. &#8211;S.J. Perelman Many large publishing houses accept only manuscripts submitted by agents. Many agents aren&#8217;t interested in representing unpublished authors. So now what? If you are an unpublished novelist, don&#8217;t bother a literary agent or anyone else in [...]]]></description>
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		<slash:comments>9</slash:comments>
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		<title>Books Are a Hard Sell &#8211; washingtonpost.com</title>
		<link>http://www.richarddooling.com/index.php/2007/01/23/books-are-a-hard-sell-washingtonpostcom/</link>
		<comments>http://www.richarddooling.com/index.php/2007/01/23/books-are-a-hard-sell-washingtonpostcom/#comments</comments>
		<pubDate>Tue, 23 Jan 2007 14:49:55 +0000</pubDate>
		<dc:creator>Richard Dooling</dc:creator>
				<category><![CDATA[Publishing]]></category>

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		<description><![CDATA[Never mind reading entire books. Who has time for that? Librarians these days are information specialists teaching information literacy. A Librarian&#8217;s Lament: Books Are a Hard Sell &#8211; washingtonpost.com]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Giving It Away &#8211; Forbes.com</title>
		<link>http://www.richarddooling.com/index.php/2006/12/20/giving-it-away-forbescom/</link>
		<comments>http://www.richarddooling.com/index.php/2006/12/20/giving-it-away-forbescom/#comments</comments>
		<pubDate>Wed, 20 Dec 2006 13:10:26 +0000</pubDate>
		<dc:creator>Richard Dooling</dc:creator>
				<category><![CDATA[Publishing]]></category>

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		<description><![CDATA[We&#8217;re used to seeing books on, say, computer programming given away free online, as contributions to the Open Source movement, or as marketing to enhance the author&#8217;s stature (or Google rank) just before the publication of his next non-free book. You don&#8217;t see many novelists giving away free electronic access to their works. Cory Doctorow [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Michiko Kakutani By Ben Yagoda</title>
		<link>http://www.richarddooling.com/index.php/2006/04/11/michiko-kakutani-by-ben-yagoda/</link>
		<comments>http://www.richarddooling.com/index.php/2006/04/11/michiko-kakutani-by-ben-yagoda/#comments</comments>
		<pubDate>Tue, 11 Apr 2006 15:41:01 +0000</pubDate>
		<dc:creator>Richard Dooling</dc:creator>
				<category><![CDATA[Publishing]]></category>

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		<description><![CDATA[Many authors fear Michiko Kakutani, book critic for the daily edition of The New York Times, because if she doesn&#8217;t like your book she can make you wish you&#8217;d gone into the heating and air conditioning business. Slate&#8217;s Ben Yagoda takes a more balanced view and assesses her twenty-five years of reviewing books at The [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Plagiarism?</title>
		<link>http://www.richarddooling.com/index.php/2006/03/07/plagiarism/</link>
		<comments>http://www.richarddooling.com/index.php/2006/03/07/plagiarism/#comments</comments>
		<pubDate>Tue, 07 Mar 2006 14:58:24 +0000</pubDate>
		<dc:creator>Richard Dooling</dc:creator>
				<category><![CDATA[Publishing]]></category>

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		<description><![CDATA[Albert Einstein said, &#8220;The secret to creativity is knowing how to hide your sources.&#8221; In Plagiary, It&#8217;s Crawling All Over Me, Joseph Epstein examines &#8220;the blurry line between a paraphrase and a lift.&#8221;]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Would My Book Make A Good Movie?</title>
		<link>http://www.richarddooling.com/index.php/2006/02/23/would-my-book-make-a-good-movie/</link>
		<comments>http://www.richarddooling.com/index.php/2006/02/23/would-my-book-make-a-good-movie/#comments</comments>
		<pubDate>Thu, 23 Feb 2006 16:30:50 +0000</pubDate>
		<dc:creator>Richard Dooling</dc:creator>
				<category><![CDATA[Publishing]]></category>
		<category><![CDATA[Screenwriting]]></category>

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		<description><![CDATA[Books and movies are two different languages. To compare the two is like comparing pottery and stained glass. &#8211;Russel Banks Probably half the movies made in Hollywood are adaptations of stories that originally appeared as novels, nonfiction books, comic books, short stories, plays, poems, or what have you. Hollywood studios and production companies aggressively scan [...]]]></description>
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		<slash:comments>5</slash:comments>
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